Harry Guakomoli saw yet another search for answers abruptly end. Again
due to the recipient of his questioning spontaneously convulsing and
frothing at the mouth. This had happened twice in the last hour, and
that was seriously pissing off this story's protagonist.
Dinah stopped the Monte Carlo, the car the worse for wear, about a
dozen feet from where The Guak stood over the bald follower of The Death
Matriarch. She got out of the car, a pistol in one hand and a phone
identical to The Guak's in the other.
"HQ, this is Mockingbird 90210," the raven-haired lass stated into
the phone. "Assault on Phoenix. Multiple casualties. I need containment
and forensic teams at 101st and Frederick Douglass Avenue. Right, Dilly
Heights. No, he seems okay...relatively speaking. Oh, and I need a
change of clothes for Phoenix."
Dinah stood quietly with the phone to her ear for about half a minute.
"Aye, aye, el capitan," she said before ending the call.
Dinah
slipped the phone into a pocket of her rubber jacket. She engaged the
safety of the Walther PPK before slipping it into the other pocket.
Dinah opened the trunk of the Monte Carlo and removed her jacket,
revealing the black t-shirt she wore underneath. The Guak gazed at the
strip of milky white flesh that separated the tee and the lady's crimson
pants and then the gun as it was tucked into the back of the crushed
velvet trousers.
"'Mockingbird' are you?" asked The Guak with a smirk.
"You know," replied Dinah. "Because I mock...and stuff. You look horrible. Are you okay?"
"Chicks dig scars, right?"
"Sure," answered Dinah. "But gaping neck wounds? Not so much."
Dinah reached into a pocket of the nylon jacket and pulled out a
plastic ID card and a badge, both attached to cords. She placed both
around her neck. The card had a photo of her face and identified her as
Mitzi Schwartz, special agent for United States Immigration and Customs
Enforcement. Dinah liberated her hair from the ponytails they were
confined to, allowing her long straight ebony locks to fall far past her
shoulders and nearly to her waist. She took off her sunglasses and
stashed them and the hair ties into a pocket. Our hero observed she was
once again wearing too much eyeliner.
"What are you doing?" The Guak asked.
"The popos will take me more seriously now," Dinah replied.
"That is some serious lipstick," commented our hero, referring to the
gun metal black shade the lady had opted to paint her lips.
Dinah put out a fist and extended her middle finger.
"Don't forget the nail polish," she said.
"How can I with a reminder like that?"
"Did he tell you anything?" the lady asked before looking down at the
smooth-headed corpse, its head in a pool of blood and slobber. "Ew.
That's fucking gross."
The Guak said nothing as a half dozen police cars surrounded the pair.
"We'll talk about this later...I hope," said Dinah. "Just don't say anything to them."
"I'm not telling them shit."
"Good boy."
Six police officers exited the six police cruisers and, positioning
themselves behind the open doors, drew their firearms and pointed them
at The Guak and Dinah. After a brief, but tense, showdown, the officers
knew they answered to Dinah in the guise of Mitzi Schwartz. The five
policemen did not appreciate the verbal emasculation they received from
the much smaller federal agent, but Dinah wasn't interested in their
appreciation. Officer Joan Post, on the other hand, rather enjoyed the
figurative castration her knuckle-dragging cohorts had been dealt. It
took all of her willpower to hold down the snickering that yearned to be
vocalized.
Local law enforcement taped off the four blocks that comprised the
site of the chase and subsequent confrontation that had occurred. The
City's boys (and girls) in blue were none too happy to be relegated to
crowd control, but the displeasure was not audible lest they incur
another tongue-lashing from Dinah. Three large black vans, unmarked yet
still totally conspicuous, arrived transporting a slew of folks with ICE
credentials. Over a dozen men and women in dark suits and sunglasses
exited the vehicles and took to the crime scene.
The Guak acquiesced to Dinah's wishes of allowing an EMT to patch him
up, particularly the deep bites on his neck. Our hero knew his injuries
would heal on their own significantly faster than those of an average
human, but he was unsure of his body's ability to stave off infection.
Plus The Guak was rarely one to pass up a chance to please a pretty
lady.
The EMT was just finishing sewing and bandaging up our hero, now
dressed in a gray hoodless sweatshirt and another pair of outdated blue jeans,
when an officer approached Dinah. She was smoking a vanilla-scented
cigarette and standing beside The Guak to ward off investigators, both
the cops and her own agents.
"Agent Schwartz", the officer said. "My guys are just standing around
with their dicks in their hands. Maybe we could interview the restaurant
owner and her patrons? It would at least give us something to do."
"God," Dinah replied with an exaggerated sigh of disgust." All I need
from your guys' dicks is to keep you and everyone else out of my fucking
crime scene. Can you do that, Officer Doughnut?"
"Now see here, princess --"
"I'm sorry," interjected Dinah. "I forgot it's Sergeant Doughnut. Look, I
really don't care if you're too old for this shit, or if you're more
like Riggs, and you're an unhinged maverick whose unorthodox methodology
prevents you from obeying authority figures. Though I bet you're more
of a Murtaugh. All I want is for you to keep quiet and stay out of my
way. Can you do that and hold your dick?'
The sergeant mumbled something uncomplimentary under his breath
before storming off. The EMT finished up tending to The Guak and climbed
back into the ambulance.
"Now that we're alone..." said our hero.
"Yes, The Guak?" Dinah asked as she looked into his green eyes and batted her lashes.
"Now can you tell me what the fuck makes me so special? And who do you work for? I know it's not ICE."
Dinah looked around.
"It's not safe to talk out in the open," she answered.
"Why?" asked The Guak. "You think someone's bugged the outside?"
"Have you ever seen The Conversation?" Dinah replied. "We can never be
too sure, The Guak. Let's go talk in Troy's car. It's got some doohickey
that produces some low high frequency sonic thingamajig that prevents
audio surveillance."
The pair walked back to the Monte Carlo and returned to the seats
they were in before the van full of The Death Matriarch's followers so
rudely interrupted them.
"To answer your second question," Dinah began. "Who I work for is
classified and you don't have the clearance. But you're right; it's not
ICE, nor is it it the FBI, ATF, DEA, FEMA, NASA, or any other government
agency I have identification for in the trunk. Only a handful of people
outside the organization even exist, including you. The only way you'll
ever know who we are is by joining us."
"You're telling me the only way I get to know the answer," replied The Guak."Is by becoming the answer?"
"Well put. And you're right."
"That's fucking lame."
"I know," said Dinah. "And I'm willing to bet you'll find my answer to your first question just as fucking lame, The Guak."
"You can't tell me that either," our hero predicted.
"Yeah," Dinah confirmed The Guak's theory. "But only because Dr.
Triangle ordered it. I've been assigned the task of convincing you to at
least come in and listen to what he has to say. This gal's been given a
lot of wiggle room in how to make that happen, but I'm not to tell you
what, and who, we think you are."
"You're right," The Guak said. "That is fucking lame."
"Sorry," she replied. Her apology sounded genuine. "But I'll throw
you a
bone. We originally believed what makes you you was strictly your
patrilineal heritage, but we now suspect your mother's lineage may play a
part as well."
"Jesus. Could you be any more cryptic?"
"I certainly could, but I won't," responded Dinah. "And I know this
going to come across as bullshit, but did that bald fuck give you dirt?"
"Wow," said our hero. "That is some bullshit."
"I know, I know," said Dinah. "But I have resources that you don't. I promise to share anything I dig up."
The Guak was torn. The lady probably did have a better chance of
discovering something. But should he give her and that twat, Triangle,
the only information he had that they didn't?
Dinah leaned toward him and stared up into his eyes.
"Please, The Guak. Let me help you."
Our hero lost himself in her big brown eyes and knew resistance was
futile. He told her everything: the rescue attempt, the infernal spawn,
The Prophecy, The Death Matriarch, and The Death Matriarch's teats.
"I've never heard of her," said Dinah about The Death Matriarch. "But I will look into it."
"Thanks."
"Thanks for trusting me," replied Dinah. "I have something for you. There's a briefcase under your seat. Take it."
The Guak felt under the passenger seat of Troy's car and pulled out an old battered brown leather briefcase.
"Open it," Dinah said excitedly.
Our hero did just that and clicked the case unlocked and opened it
up. Inside was a large manila envelope and under that were several stacks of
fifty and twenty dollar bills.
"What's this?" our hero asked, confused.
"Let's call it an enticement," the lady answered. "I know you lost a lot
after Neuneuschwanstein and not just your life. You have nothing except
for a box of knickknacks. And knowing what you did to your old
apartment last night something tells me you won't be returning."
"Not any time soon," stated The Guak flatly.
"So consider it a gift," said Dinah. "And hopefully a signing bonus.
It's a reminder that you're not alone. We'll take care of you. I'll take
care of you."
"What's in the envelope?" our hero asked.
"A driver's license, a social security card, and a birth certificate
for Harry Guakomoli," Dinah replied. "And documents establishing a cover
identity should you wish to remain incognito, though you've been
conscious for less than twelve hours and you've already killed nearly a
dozen people, stolen a cab, staged a home invasion, and robbed your own
grave. Laying low might be tricky."
The Guak opened the envelope and examined the legal documents inside.
"'Elijah Tenenbaum'?" he asked as he read his cover identity's birth certificate.
"Son of Hershel Tenenbaum and Patricia Wilson," said Dinah."' A dashing
Jewish performer and his blushing Gentile bride. He was a clown in a
traveling circus. The show made a stop in Beckley, West Virginia. That
was where Hershel first laid upon the fetching Patti, a coal miner's
daughter. Her father was an anti-Semite of the highest order, but after
falling for Hershel the fair maiden was Daddy's little girl no longer.
They eloped the next day and Hershel took her on the road, saving Patti
from small town depression and black lung. Patti soon after became an
entertainer herself as a renowned trapeze artist."
Dinah cut herself off when she looked over at The Guak and noticed
his face's expression was a mix of amusement and bewilderment.
"But you should figure out the back story for yourself," the lady remarked with embarrassment.
"Thanks, Dinah."
"You're welcome, The Guak."
"I'll call you about the whole Death Matriarch thing," said our hero.
"I'll let you know if I find anything," replied Dinah.
"Could you wait for me to get a hold of you?" The Guak requested. "I need some time to myself and to think about some things."
"Okay," replied Dinah. "But you don't strike me as much of a thinker. No offense."
"I'm not so none taken. But there's some serious shit going down. Shit I should probably think about."
Our hero stepped out of Troy's car. He reached in and grabbed the briefcase and his pine box of worldly possessions.
"What's next on your agenda, The Guak?" Dinah asked.
"Probably buy some clothes and find a place to live. But first I'm going to get some food; I'm fucking starving."
"I hope to hear from you soon," said Dinah.
"Thanks for the ride."
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